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	<title>Comments on: Theories About Lost: First in a Series</title>
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	<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/</link>
	<description>reflections on pop culture</description>
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		<title>By: Kyle</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-35</link>
		<dc:creator>Kyle</dc:creator>
		<pubDate>Sat, 09 Aug 2008 21:19:36 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-35</guid>
		<description>I know I&#039;m posting a month after you originally posted this, but I have to strongly disagree. I admit that this past season&#039;s (Season 4) dialogue existed only to move the characters into place for the execution of the plot, and contained less of the character flourishes that I loved the early seasons for. And yes, the characters do avoid asking the right questions. 

But you can&#039;t fault the show for not having characters talk like real people.  No show does that (or shouldn&#039;t, anyway).  If they talked like real people, they never would&#039;ve discovered the hatch, saved Walt from the Others, or even gotten off the Island. Fictional dialogue should be a twisted mirror of the real world: similar to our own thought processes and patterns, but different enough to keep our interest. 

Then the next question becomes whether this fictional dialogue is any good. But I can&#039;t really fight you on this point, other than telling you that I think  the writing is sharp, because you haven&#039;t shown any examples. Other than those two lines up top, which I think are good ones, you haven&#039;t specifically mentioned any instances on the show where you &quot;cringed&quot; at the lines. 

Yes, Lost does have loose ends, but isn&#039;t that inevitable with a show this big? And the actors with DUIs getting killed...that&#039;s pure speculation, and two of them are set to return on the show. 

Lost has a lot more layers than you think, and I for one cannot be happier it is nothing like how real people talk.</description>
		<content:encoded><![CDATA[<p>I know I&#8217;m posting a month after you originally posted this, but I have to strongly disagree. I admit that this past season&#8217;s (Season 4) dialogue existed only to move the characters into place for the execution of the plot, and contained less of the character flourishes that I loved the early seasons for. And yes, the characters do avoid asking the right questions. </p>
<p>But you can&#8217;t fault the show for not having characters talk like real people.  No show does that (or shouldn&#8217;t, anyway).  If they talked like real people, they never would&#8217;ve discovered the hatch, saved Walt from the Others, or even gotten off the Island. Fictional dialogue should be a twisted mirror of the real world: similar to our own thought processes and patterns, but different enough to keep our interest. </p>
<p>Then the next question becomes whether this fictional dialogue is any good. But I can&#8217;t really fight you on this point, other than telling you that I think  the writing is sharp, because you haven&#8217;t shown any examples. Other than those two lines up top, which I think are good ones, you haven&#8217;t specifically mentioned any instances on the show where you &#8220;cringed&#8221; at the lines. </p>
<p>Yes, Lost does have loose ends, but isn&#8217;t that inevitable with a show this big? And the actors with DUIs getting killed&#8230;that&#8217;s pure speculation, and two of them are set to return on the show. </p>
<p>Lost has a lot more layers than you think, and I for one cannot be happier it is nothing like how real people talk.</p>
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		<title>By: A Writing critique on Lost &#171; Not Confused Just Lost</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-12</link>
		<dc:creator>A Writing critique on Lost &#171; Not Confused Just Lost</dc:creator>
		<pubDate>Thu, 17 Jul 2008 20:16:00 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-12</guid>
		<description>[...] Theories About Lost: First in a Series [...]</description>
		<content:encoded><![CDATA[<p>[...] Theories About Lost: First in a Series [...]</p>
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		<title>By: Michael</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-10</link>
		<dc:creator>Michael</dc:creator>
		<pubDate>Tue, 15 Jul 2008 01:18:58 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-10</guid>
		<description>Honestly, I don&#039;t know what you mean by bad writing.  You seem to be complaining about a few cheesy one-liners.  I&#039;m a pretty big Lost apologist, I&#039;ll admit that, but aside from the occasional clunker line and the They Don&#039;t Ask The Right Questions complaint, I&#039;ve always thought the dialogue was pretty sharp.  (And by the way, dialogue is part of writing, but writing doesn&#039;t only consist of the lines.  Plotting requires a heck of a lot of writing too.)

You say they don&#039;t talk like real people.  Listen closely to the dialogue in...anything, including BSG, which has its share of clunkers as well.  Dialogue is a slightly disguised method of moving the plot forward and making you care about the characters - it never, ever sounds like real life.  Write down a real conversation you have with someone sometime to notice the difference.</description>
		<content:encoded><![CDATA[<p>Honestly, I don&#8217;t know what you mean by bad writing.  You seem to be complaining about a few cheesy one-liners.  I&#8217;m a pretty big Lost apologist, I&#8217;ll admit that, but aside from the occasional clunker line and the They Don&#8217;t Ask The Right Questions complaint, I&#8217;ve always thought the dialogue was pretty sharp.  (And by the way, dialogue is part of writing, but writing doesn&#8217;t only consist of the lines.  Plotting requires a heck of a lot of writing too.)</p>
<p>You say they don&#8217;t talk like real people.  Listen closely to the dialogue in&#8230;anything, including BSG, which has its share of clunkers as well.  Dialogue is a slightly disguised method of moving the plot forward and making you care about the characters &#8211; it never, ever sounds like real life.  Write down a real conversation you have with someone sometime to notice the difference.</p>
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		<title>By: biggestmirror</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-5</link>
		<dc:creator>biggestmirror</dc:creator>
		<pubDate>Thu, 10 Jul 2008 18:43:22 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-5</guid>
		<description>Thanks, izikavazo. I&#039;ll have to check out your blog some more and brush up on my theorizing. If it makes you feel better, I too loved Alias, and often cringed at that one as well. After season three it became too much and I just had to stop watching. Little did I know that JJ Abrams would still be stringing me along five years later.

I have to agree that Lost does love one-liners. Some of them are genuinely funny, like &quot;Do you know those crackers are fifteen years old?&quot; But more often, they&#039;re just totally incongruous within the context of the scene, or weird little mystery-placeholders. Obviously, we, the Internet fandom, are going to be spending a lot more time debating a line like &quot;He changed the rules&quot; than &quot;OH CHRIST HE KILLED MY KID&quot; or even &quot;Widmore violated our agreement.&quot; The mystery is still preserved, the writing is still sloppy, and everyone wins...kind of.</description>
		<content:encoded><![CDATA[<p>Thanks, izikavazo. I&#8217;ll have to check out your blog some more and brush up on my theorizing. If it makes you feel better, I too loved Alias, and often cringed at that one as well. After season three it became too much and I just had to stop watching. Little did I know that JJ Abrams would still be stringing me along five years later.</p>
<p>I have to agree that Lost does love one-liners. Some of them are genuinely funny, like &#8220;Do you know those crackers are fifteen years old?&#8221; But more often, they&#8217;re just totally incongruous within the context of the scene, or weird little mystery-placeholders. Obviously, we, the Internet fandom, are going to be spending a lot more time debating a line like &#8220;He changed the rules&#8221; than &#8220;OH CHRIST HE KILLED MY KID&#8221; or even &#8220;Widmore violated our agreement.&#8221; The mystery is still preserved, the writing is still sloppy, and everyone wins&#8230;kind of.</p>
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		<title>By: izikavazo</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-4</link>
		<dc:creator>izikavazo</dc:creator>
		<pubDate>Thu, 10 Jul 2008 17:14:25 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-4</guid>
		<description>Good stuff, I still worship the show, but you bring up some mighty relevant points.
I think the biggest reason why they have such terrible lines is that the crazy one-liners are easy to sell.  You can have a commercial full of split second, unrelated scenes, then end with one of their crazy one-liners like &quot;Guys, Where are we?&#039;, or &quot;We have to move the island&quot;, or &quot;he changed the rules&quot;.  The one-liners on this show are coming at a comic book level, every scene seems to end with one.
BTW if you thought Lost writing was awful you should have watched Alias, that was painful.  And yet I liked that show too, apparently I&#039;m not too critical about scripts.
I&#039;m going to link here from my blog.</description>
		<content:encoded><![CDATA[<p>Good stuff, I still worship the show, but you bring up some mighty relevant points.<br />
I think the biggest reason why they have such terrible lines is that the crazy one-liners are easy to sell.  You can have a commercial full of split second, unrelated scenes, then end with one of their crazy one-liners like &#8220;Guys, Where are we?&#8217;, or &#8220;We have to move the island&#8221;, or &#8220;he changed the rules&#8221;.  The one-liners on this show are coming at a comic book level, every scene seems to end with one.<br />
BTW if you thought Lost writing was awful you should have watched Alias, that was painful.  And yet I liked that show too, apparently I&#8217;m not too critical about scripts.<br />
I&#8217;m going to link here from my blog.</p>
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		<title>By: annemarie</title>
		<link>http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-3</link>
		<dc:creator>annemarie</dc:creator>
		<pubDate>Thu, 10 Jul 2008 06:03:43 +0000</pubDate>
		<guid isPermaLink="false">http://biggestmirror.wordpress.com/2008/07/09/theories-about-lost-first-in-a-series/#comment-3</guid>
		<description>YOU ARE SO GOOD AT THIS.  I never realized before why Lost bugs me so much.  It&#039;s because it fucks with my plotdar!  I hate that.</description>
		<content:encoded><![CDATA[<p>YOU ARE SO GOOD AT THIS.  I never realized before why Lost bugs me so much.  It&#8217;s because it fucks with my plotdar!  I hate that.</p>
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